4.11.2011

Movie/Album Review: Daft Punk Tron Legacy

As a huge fan of Electronica Kings Daft Punk, ofcourse I purchased their soundtrack to Disney's "Tron: Legacy" when it was released last November. My reaction was so lukewarm however I sort of put the album aside until I saw the movie, thinking it might not be fair to judge the soundtrack alone and that I may end up enjoying the music more if I had the visual counterpart. So when the film was released to DVD and Blu Ray this past Tuesday I jumped on it.
As for the album, the film didn't really help. While I was watching the film, the soundtrack was a little underwhelming even than. Most of the times, the backing soundtrack felt a little like generic "futuristic" elevator music and not the unique, infectious Daft Punk sound I was expecting. There's a scene early on where Sam Flynn is being chased by the police and the underlying score ("The Son of Flynn") is just a simple loop of a keyboard sequence and it never elevated or went anywhere although you'd think they'd match up the music to the action in the scene. And the sort of light electronic sounds heard on one scene sound way too similar to most of the other tracks on this soundtrack. There's a bit of a Daft stamp on them, but almost in the way of some lesser producer stealing their sound and producing really washed out and boring tracks instead. And there are even times when it doesn't sound like Daft Punk at all, the scene where Quorra is introduced ("Outlands") and she's driving Sam into his fathers secret lair sounds way too much like the Danny Elfman scoring in a similar scene in 1989's "Batman". For the most part, Daft's score is just too pedestrian and simple. It almost feels like they felt the pressure of doing a big Hollywood score and were scared to truly be themselves, which is a shame. Their cameo in the movie was cute though, and gave us the best moments from the score, the first single "Derezzed" and "End of the Line". Unfortunately, even after viewing the film, this outing was a big disappointment and I just can't wait for their next Real Daft album.

Rating: 2 of 5
Best: Derezzed, End of Line, Fall

The movie, surprisingly enough, was actually much better than expected. Even though I'm a child of the 80's I'd never seen the original "Tron" just heard of it (and seen film stills from it), but you imagine there was a lot of technical mumbo-jumbo but for all real purposes it was just a visual movie you'd watch for the special effects. In that way, "Tron: Legacy" is a success because it's truly one of the movies you can't take your eyes off. And there is a lot of dialogue about grid's and power sources and disks and a host of things viewers really don't need to know that much about, but the main focus is the visual aspect. The pretty amazing CGI and overall design of the computer world that Sam Flynn (Garrett Hedlund) finds himself in after locating the office of his father Kevin Flynn (Jeff Bridges) who has been missing in the real world for over 15 years. Sam, as much of a computer genius as his father who created a Microsoft-like empire in the 1980's (after the first "Tron" film), finds himself in the Grid and is immediately set-up to participate in 'Games', which is punishment for bad 'programs'. The 'Games' portion is probably the best part of the movie, he goes through a series of 'Air Hockey'-like games before he is set up for the Bike Race which takes the cake visually. It takes what has become classic from the first film and elevates it for the new generation and it is both aesthetically stunning and heart pounding, edge of your seat excitement. Sam is finally reunited with his father, (not Clu, the grid clone of his father) and the rest of the movie is their plan to escape the grid and get back to the real world.
Again there is alot of unnecessary chatter here, and the script generously takes bits from "The Matrix" and "Inception" to try to prevent plot holes, but it's all okay because the film is an exciting one which can be followed with the minimal amount of information about the Flynn's.
This is nowhere near a Great movie, don't get me wrong, but pretty much everything from the acting to the writing were on par and nothing to complain about. The one major complaint, and maybe just because it looked so weird, was the CGI-fication of Jeff Bridges for his scenes as the younger father and for Clu. The animators did a really good job for the most part, but they really haven't perfected doing a human in CGI and making him look 100% real. Which I suppose actors are happy about.

Rating: 3.5 of 5

4.01.2011

Album Review: Jennifer Hudson

Standards were set sky high with Jennifer Hudson's self titled debut album released in 2008. And though the album was decent, it felt underwhelming somehow. It just didn't manage to stand above the other R&B offerings out at the time, we all knew she could sing but there wasn't much personality to go along with it.
With her recently released follow up "I Remember Me", she seems to bring more confidence and character to her voice and it works out well. Along with that, the album offers a more diverse range of sounds to show off her versatility. To be honest it's not all great, some of the material is just too common and similar to other R&B acts, but there's enough here to show some major growth and Hudson comes off as a totally different singer and artist than on the last album.
The album opener, a nice bouncy Urban track "No One Gonna Love You" has her in a really confident and sassy stance and breezing through the song with major vocal strength with the ease of a real professional. As does the albums first single "Where You At", whose repetitive hook would have resulted in disaster if it was any other singer however Jennifer makes it work. The albums best tracks takes Hudson in a 70's 80's Soul and Funk direction which she performs with the appropriate attitude and grit. The Alicia Keys penned "Angel" has Jennifer channeling divas like Chaka Khan and Teena Marie but still putting her own stamp on the sound. "Everybody Needs Love", which stands out primarily because of it's unique fresh and new production (a mix of 90's House specifically the Dub sound, and smooth R&B) is elevated by her commitment to the sound. This and "Don't Look Down" are the Dance numbers her debut was missing, and these are destined to be remixed into thumping House anthems for the Club crowd.
And even the songs that aren't total winners are still passable and possible growers like the anthemic "I Got This" and the title track, which is slightly predictable in lyric but given a different light thanks to her voice. "Gone" suffers from a terrible boring hook, but you have to appreciate her taking a risk on a pop/rock song that you'd imagine a Kelly Clarkson singing. The rest of the album is just average, while the closer "Believe" is just stunningly beautiful lyrically and vocally. The album may not be one of the stand out R&B albums to be released but it shows even more promise and gives listeners even more reason to celebrate her immense talents. While her first album may have left people wanting more, this album shows that she is indeed a true vocal artist -- and that there's no reason why she won't be around for a long time.

Rating: 3 of 5
Best: Angel, No One Gonna Love You, Everybody Needs Love