Discography Review: Prince (1978-1982)

I want to introduce something that I've been meaning to start since I began this blog. I listen to a lot of older music to get perspective on the music industry and music itself, and I thought it would be fun to do a Discography Review of different artists that I'm into, or learning more about. To start, I want to talk about an artist I'm well-versed in, Prince. I come from a family of Prince fans, and I was born in the 80's so he was an ever present artist throughout my whole life. Thus the reasoning for him topping my All Time Favorite Artists list. When I was in my early 20's I sort of re-discovered the genius and timeless-ness of his music, especially in his early work which is what this post is mainly about. His first 5  years in the industry and what he managed to do in the span of just 5 albums.

Prince's debut album "For You" from 1978 has always been regarded as the lesser early Prince album, so I really never heard it, until this weekend. Thanks Youtube! The album shows quick glimpses of the magnitude of music knowledge he possesses, but really only scratched the surface. Largely coming off as a radio accessible Disco/Funk/R&B album, it works as just that. He sings about love throughout, over both uptempo numbers and slower styled ballads, however it's still not the typical album of that era. The extended Funk of "Just as Long as We're Together", and the sexy Disco/R&B hit "Soft and Wet" show there is definitely enough on the album to keep you entertained and dancing. Even the more laid back R&B and acoustic bits like "Crazy You" and "Baby" are nice calming moments in between the uptempo. He closes out with a bit more of a Rock edge on "I'm Yours" to show some of the versatility that would emerge later in his career. And like all of his following albums, he wrote produced and arranged everything on here, giving a hint of the musical genius he has. Not a great album, or anywhere near his best, the album is a fun time capsule of the popular styling of black music at the time. And a modest beginning to an amazing career.

Rating: 3 Stars
Best: In Love, Soft and Wet, Just as Long as We're Together

"Prince", released in 1979, follows the same general pattern as the debut, just slightly amped up.Still singing largely about love, and still a commercially acceptable album, he does experiment with his musical arrangements and his vocals to make this effort a little stronger than the previous. This album is heavy on the R&B/Disco/Funk sound but takes more risks here and there as opposed to his debut, like the extended synth play on the hit single "I Wanna Be Your Lover" or the seamless mix of R&B and Rock on "Why You Wanna Treat Me So Bad?". Lyrically he gets more flirtatious as well with "Sexy Dancer" his extended Disco ode to strippers. Even this albums ballads are a step up from the previous, with "Still Waiting" and "It's Gonna Be Lonely" being really beautiful and well-written. This still isn't the Prince that the world has come to love, but it's definitely an improvement.

Rating: 3.5 Stars
Best: I Wanna Be Your Lover, Why You Wanna Treat Me So Bad?, Sexy Dancer

In 1980, Prince switched up his whole style and that's both music and image wise. No longer the perfectly coiffed hippie child, he transformed his style into a grungy sex-thing. And the music on the accompanying album "Dirty Mind" is the perfect match. From his gritty vocals, to the distorted and sometimes washed-out sounding production, this third album is definitely meant to feel more Underground and rebellious than his previous two albums. The entire vibe of the album makes the listener feel like they are having a night hanging out with the Underground Minneapolis Music scene. A group of people with no racial or sexual boundaries who's only goal is "being free" as he sings on the Funk cut "Uptown". The most groundbreaking thing about the album is that Prince totally blurs the genre line here, incorporating not only R&B and Funk but also relying heavily on Rock and Punk influences. The sounds are all mixed into one on nearly all the tracks starting with the title track. Freedom and no judgment is a big theme here, but also different sexual perversions get most of the attention. He talks about both incest and prostitution on the salacious Punk number "Sister", and orally pleasing a soon to be married woman on the Funky "Head". His lyrics on this album get even more clever as he talks about the woman who "let all my friends come over and eat" on the Classic "When You Were Mine", talking about a cheating and not very discreet girlfriend ("you didn't have the decency to change the sheets"). "Dirty Mind" is easily the most cohesive album by Prince thus far and the riskiest as well. The risk paid off though because it showed the music world his versatility in production and his playfulness in songwriting and vocals. Easily one of his all-time best.

Rating: 4.5 Stars
Best: Dirty Mind, When You Were Mine, Uptown

Following with the theme of a world of freedom and no judgment talked about in "Dirty Mind", Prince gets a little more political on 1981's "Controversy". He makes a call for a "new breed" to erase stereotypes and racial and sexual boundaries on the stellar club cut "Sexuality" and when he's not asking this "new breed" to "stand up, organize", he's addressing the than powers that be in the quick Punk-ish song "Ronnie Talk to Russia" and talking specifically about social concerns on the haunting "Annie Christian". Still Prince knows how to have fun, and that's evidenced in the Pop-y "Private Joy" and his sexual libido is still present on the cleverly flirty "Jack U Off" and the slow burner "Do Me Baby" which is the first in a long line of Bedroom anthems. The sound is a little more polished on this outing, but still mixes all types of genres and shows his early work playing with his drum machine that would come to define his sound later in his career.

Rating: 4 Stars
Best: Controversy, Private Joy, Jack U Off

Prince had shown us his versatility on his previous albums, but the musical genius and forward-thinker he was is on full display on his 1982 double album "1999", which was his first universally acclaimed opus and the catalyst to his mainstream crossover. And this all came from him being at his riskiest and most experimental time, probably the riskiest of his entire career. This album is a true culmination of all the great things that were displayed on his first 4 albums, but elevated even higher. His great songwriting, his production skills, his vocal play, all of these things are at their best here. Even the vibe and concept of the album is strongly felt, it is set in a world that's nearing it's end, and the tone of the music, lyrics and vocal delivery is very frantic like he's attempting to get out so many thoughts and emotions in the fastest time available. The album deals with a variety of topics, from liberation on "1999" "D.M.S.R." and the lush "Free", to heartbreak on "Something in the Water (Does Not Compute)" and the classic hit single "Little Red Corvette".
These are all laid over very futuristic New Wave inspired beats courtesy of the aforementioned drum machine that he utilizes throughout the album. Though that's not to say that he ditches his traditional instruments, as there are plenty of great guitar solos and musicianship displayed aside from the electronics. Lyrically and Vocally Prince pushes himself further than ever before, the devastation of seeing "pictures of the jockeys that were there before me" on "Little Red Corvette" is felt as well as the agony on "Something in the Water" that results in him screeching out of emotion near the end. Some might argue that the album is a little over long, but in my opinion that is not the case as nothing on the album would really constitute as filler. And the thing that makes this his first true Classic Album is that 29 years later, each and every song could be played alongside any current hit and still sound futuristic and groundbreaking. This album has truly stood the test of time and is my personal favorite of his.

Rating: 5 Stars
Best: Little Red Corvette, Something in the Water (Does Not Compute), Lady Cab Driver

Album Review: Quick Update/The 80's Reborn???

Okay my many followers (LOL!!), I'm dying to write an article about next years Grammy's and who I think will be nominated and who I think should be nominated. However, this summer and beginning of Fall has been filled with alot of music I've yet to review. I have about 13 albums I want to review, and in trying to power-through I'm gonna do just a quick/SUPER-quick recap of what I've been listening to.
Note: I'm gonna use a rating system on this and future album posts, but I might not stick with that style of rating so just know that it might change (probably next year)
So I'm gonna power-through and get these quick reviews done, than I have to post about the Grammy's and than I have an updated Top 25 Favorite Artists of All Time to post. The Grammy nominations are announced in December so expect an article about that, and than ofcourse we'll have our big Year-End post which will be better than the excellent one last year.

So let's start with the reviews!
Devo "Something for Everybody"

The New Wave Kings Devo return after 20 years with an album that actually does in fact feel like a true return to form, and feels like the classic Devo the world fell in love with in the 80's. And the group actually does this in a way that doesn't feel forced, which is one good thing about the album. Tracks like "What We Do" and first single "Fresh" are fun and full of "pep" like their 1980 "Freedom of Choice" album and more of their more commercial outings in the 80's. However the album falters because there's no sense of experimentation or them trying anything new which is the best thing about their early music. Still a fun listen overall.

Rating: Three Stars
Best: "What We Do" "Fresh""Later is Now"


Prince "20Ten"

This album was actually released only in the UK, and for Free in their Weekend Edition newspaper. I'm not in London and I don't subscribe to that paper but thank god for the internet. This album finds Prince giving sonic homages to his work in the 80's, but as always he mixes those sounds with more contemporary elements. The overall feel of the album is not much different from the vibe of his 2009 3 Disc outing, there's Funk ("Act of God"), there's Pop/Rock (the pretty awful "Everybody Loves Me") and there's wannabe-Hip Hop ("Laydown"). The highlights of the album are clearly the slower tempo R&B songs "Walk in the Sand" and "Future Soul Song", and even those come off sounding a little dated for him. It's time for Prince to either bring in some new Producers to get a fresh perspective or just take more time off in between albums. The album on the whole is enjoyable, but like Devo there's just a bit o originality lacking.

Rating: Three Stars
Best: "Future Soul Song" "Sticky Like Glue" "Walk in the Sand"

Top 25 All-Time Favourite Artist ... #1!!!

I'm back!
This year started off really horribly, I won't go into all the gritty details but some very eye-opening things happened, although I'm now realizing sometimes you have to go through extreme hurt to come out stronger and wiser. And you have to go through hurt and see people for who they truly are so you can move on with life.

So that being said, I've moved on with my life. And I'm now moving on with this blog. I actually expect to make a few changes to the blog. And mainly the changes are I'm not going to be so particular about what I write here. So you might see short stories in addition to Music and Movie reviews and Pop Culture Editorials. Hopefully I can keep it updated more frequently than I did last year. We'll see.

One of the things I do have to change is my Top 25 All-Time Favourite Artists list. I first completed the list on my Myspace blog in 2008. I updated the list at the top of 2009 and that's what I've been posting on this blog. However even during my posts on this blog, I knew I had to make some changes to the list. Before I do that (which will be pretty soon) I wanted to complete the list and reveal my #1 All-Time Favourite Artist and why they are #1.


1. Prince

Like I said before, I'm a child of the 80's. I grew up at the start of the MTV Era where style was becoming more important than substance. When sex and androgyny were the "IN" things for Pop Music. The 80's were all about Excess, and that's evident in a lot of the top acts of the time. Culture Club, Rick James, Michael Jackson, Madonna, Pat Benatar, even Whitney Houston and Patti Labelle's Mountains of Hair are examples of this idea that the smoke and whistles are greater than the actual music. In the midst of all of that, Prince emerged for not only giving the public that same 80's Excess in image, but also for being a truly revolutionary and ingenious musician to back it all up. There wasn't any artist of that decade, or even since than that has marched to the beat of their own drummer more than Prince. From the very beginning he wrote, produced and arranged all of his 100% Original music on his own.
He started out in 1978 with two very R&B/Disco inspired albums, his third album "Dirty Mind" released in 1980 totally switched up his entire style.
While there was some heavy funk in "Uptown" "Partyup" and "Head", the bulk of the album is really a drastic change over to an edgier Punk almost Alternative sound. His career continued in the 80's with him always being one of the more diverse acts of the decade. He was certainly Pop on some songs, definitely R&B on others. In the 80's Prince flirted with everything from Rock to New Wave to Disco to Blues. He managed to be all of these things without ever sounding forced, like he's tackling a certain genre just for the sales. Everything he did felt completely organic, yet very contemporary and very out there.
I listened to loads Prince in my youth. Not only was my High school aged aunt a Huge Super Fan, about half of my family members were Prince fanatics. I totally didn't understand the lyrics at the time, but I loved the music and I loved the artist. Seeing him on TV live was always amazing, as he had Incredible energy and always did something you couldn't forget. For instance on his 1987 Concert Film "Sign O The Times" you can see Prince tackling EVERY instrument on the stage... piano, drums, guitar... and all effortlessly. And let's not downplay his voice and the things it can do. Though he seems to be famous for his falsetto, Prince has a very underrated vocal range that has been shown time and time again. There's not an artist that has come since (maybe even before) Prince that has displayed as much raw talent on top of being so influential and original. In fact he was so influential that much of the early 80's sound in Music was more or less orchestrated by Prince. He was the mind behind The Time Vanity and Appollonia 6. He wrote and produced hit tracks for artists ranging from Chaka Khan, Mavis Staples, Sinead O'Connor and The Bangles. And there have been countless remakes of Prince's many gems.
Prince in the 80's can't be touched, literally by any other artist. Prince in the 90's started to dip in quality a bit. He had a huge legal issue with his record label and it obviously hurt his music, but he still had a good handful of classic songs in that decade. Prince in the 00's was less important and less original, though he famously had a huge comeback with 2003's "Musicology" and it's sold out tour. He hasn't taken such a bad turn in his career though that has ruined him, his albums still are enjoyable (if sometimes a little inconsistent) and his 2006 turn as the Superbowl Halftime entertainment proved that he's still one of the most electric and dynamic Live performers in the industry. Definitely a Living Legend, in fact he became a Living Legend about 20 years ago, because he has done what a lot of artists only wish they could do.

myTop3FavouritePrince albums 1. 1999 (1982), 2. Sign O The Times (1987), 3. Dirty Mind (1980)